![]() ![]() In her career-making performance, Watts channels the cataplexy of Kim Novak, pleating layers upon layers, dreams upon nightmares. “Mulholland Drive” is maybe the best film of the aughts - just ask all these critics - and one of the few that genuinely deserves to be described as “dreamy.”Ī young, fledgling actress (Naomi Watts), eternally optimistic, helps a woman stricken with amnesia (Laura Harring) find out who she is. The most obvious choice in the program for one reason: David Lynch, normally fairly mum on his inspirations, has been a vocal enthusiast of “Vertigo” for years, even hosting a Movie Night at IFC a couple years ago. And, of course, it only further elucidates the profound beauty, and tragedy, of Hitchcock’s best film. ![]() The best thing about BAM’s “Vertigo” Effect series is how the eclectic pool of films makes you draw connections you might otherwise have missed: Just by being selected for the series, films like “Last Embrace,” “Mississippi Mermaid,” and “Special Effects” will now reveal deeper mysteries and previously-missed Hitchcock-derived details. The effects of “Vertigo” have seeped into the crevices of American cinema, popping up in some reliable places (the works of Brian De Palma, Hitch’s biggest fan) and some surprising ones as well (Paul Verhoeven’s “Basic Instinct,” Tony Scott’s “Deja Vu”). ‘Jeanne Dielman’ Tops Sight & Sound’s 2022 Poll of the Best Films of All Time ![]()
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |